{"id":1033,"date":"2020-11-04T15:09:53","date_gmt":"2020-11-04T15:09:53","guid":{"rendered":"https:\/\/web.msh-lse.fr\/declart\/?page_id=1033"},"modified":"2020-11-23T15:53:17","modified_gmt":"2020-11-23T15:53:17","slug":"circulation-de-la-declaration","status":"publish","type":"page","link":"https:\/\/web.msh-lse.fr\/declart\/circulation-de-la-declaration\/","title":{"rendered":"Circulation de la d\u00e9claration"},"content":{"rendered":"

Introduction\u00a0<\/h2>\n

Lorem Ipsum<\/strong>\u00a0is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry’s standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.<\/p>\n

<\/a>1968-1970<\/h2>\n\n\n
\"Test\"<\/div>
\n \u00ab Le Comit\u00e9 permanent des directeurs des th\u00e9\u00e2tres populaires \u00bb \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Jeanson (Francis).- D\u00e9finition d\u2019une Maison de la culture. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Madral (Philippe).- Le Th\u00e9\u00e2tre hors les murs. Six animateurs et trois \u00e9lus nous parlent. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n\n\n\n
\"Test\"<\/div>
\n Jeanson (Francis).- \u00ab Sur la notion de \u2018non-public\u2019 \u00bb, in : Les Droits culturels en tant que droits de l\u2019homme. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Jeanson (Francis).- \u00ab Sur la notion de \u2018non-public\u2019 \u00bb, in : Aspects de la politique culturelle fran\u00e7aise. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>\n\n\n

<\/a>1971-1980<\/h2>\n\n\n
\"Test\"<\/div>
\n Leroy (Roland).- La Culture au pr\u00e9sent. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Girard (Augustin).- D\u00e9veloppement culturel : exp\u00e9riences et politiques. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Jeanson (Francis).- L\u2019Action culturelle dans la cit\u00e9. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n\n\n

<\/a>1981-1990<\/h2>\n\n\n
\"Test\"<\/div>
\n Ivernel (Philippe).- \u00ab Ouverture historique : 1936 et 1968 \u00bb \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Bonnaud (Georges) [\u00ab du Th\u00e9\u00e2tre du Soleil \u00bb].- \u00ab Chronique de l\u2019illusion efficace (1968-1980) \u00bb \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>\n\n\n

<\/a>1991-2000<\/h2>\n\n\n
\"Test\"<\/div>
\n Temkine (Raymonde).- Le Th\u00e9\u00e2tre en l\u2019\u00c9tat. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Conte (Alice).- Histoire d\u2019un th\u00e9\u00e2tre \u00e0 Villeurbanne : de la Cit\u00e9 au TNP (1957-1977). \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Rauch (Marie-Ange).- \u00ab Qui a peur du non-public ? \u00bb \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n\n\n\n
\"Test\"<\/div>
\n Rauch (Marie-Ange).- \u00ab Le th\u00e9\u00e2tre public, lieu de contestation \u00bb \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n La D\u00e9centralisation th\u00e9\u00e2trale. 3. 1968, le tournant. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Jeanson (Francis).- \u00ab La r\u00e9union de Villeurbanne \u00bb, in : La D\u00e9centralisation th\u00e9\u00e2trale. 3. 1968, le tournant. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n\n\n\n
\"Test\"<\/div>
\n Urfalino (Philippe).- \u00ab Les Maisons de la culture : la fin de l\u2019exemplarit\u00e9 \u00bb, in : Les Affaires culturelles au temps de Jacques Duhamel. 1971-1973. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Urfalino (Philippe).- L\u2019Invention de la politique culturelle. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Rauch (Marie-Ange).- \u00ab Le \u2018concile\u2019 de Villeurbanne ou la crise de la d\u00e9centralisation th\u00e9\u00e2trale \u00bb \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n\n\n\n
\"Test\"<\/div>
\n Jeanson (Francis) et Philip (Christiane).- Entre-deux. Conversations priv\u00e9es. 1974-1999. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Rauch (Marie-Ange).- \u00ab La D\u00e9claration de Villeurbanne \u00bb, in : \u00c9ducation populaire : le tournant des ann\u00e9es 70. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Poirrier (Philippe).- L\u2019\u00c9tat et la culture en France au XXe si\u00e8cle. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n\n\n

<\/a>2001-2010<\/h2>\n\n\n
\"Test\"<\/div>
\n Dictionnaire des politiques culturelles de la France depuis 1959. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Bataillon (Michel).- Un d\u00e9fi en province. Planchon. Chronique d\u2019une aventure th\u00e9\u00e2trale. Tome II, 1957-1972. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Goetschel (Pascale).- Renouveau et d\u00e9centralisation du th\u00e9\u00e2tre. 1945-1981. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n\n\n\n
\"Test\"<\/div>
\n Fleury (Laurent).- \u00ab L\u2019invention de la notion de \u2018non-public\u2019 \u00bb, in : Les Non-publics. Les arts en r\u00e9ceptions. Tome 1. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Lacerenza (Sabine).- \u00ab L\u2019\u00e9mergence du \u2018non-public\u2019 comme probl\u00e8me public \u00bb, in : Les Non-publics. Les arts en r\u00e9ceptions. Tome 1. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n 68, une histoire collective (1962-1981). \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n\n\n\n
\"Test\"<\/div>
\n Denizot (Marion).- \u00ab Du th\u00e9\u00e2tre populaire \u00e0 la m\u00e9diation culturelle : autonomie de l\u2019artiste et instrumentalisation \u00bb \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Denizot (Marion).- \u00ab 1968, 1988, 2008 : le th\u00e9\u00e2tre et ses fractures g\u00e9n\u00e9rationnelles. Entre malentendus et h\u00e9ritages m\u00e9connus \u00bb \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Loyer (Emmanuelle).- \u00ab 1968, l\u2019an I du tout-culturel ? \u00bb \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n\n\n\n
\"Test\"<\/div>
\n Loyer (Emmanuelle).- \u00ab Od\u00e9on, Villeurbanne, Avignon : la contestation par le th\u00e9\u00e2tre en mai, juin et juillet 1968 \u00bb, in : 68. Une histoire collective, 1962-1981. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Rauch (Marie-Ange).- Le Th\u00e9\u00e2tre en France en 1968, crise d\u2019une histoire, histoire d\u2019une crise. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n La Noblesse du monde. 1959-2009 : la politique culturelle en question(s). \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n\n\n\n
\"Test\"<\/div>
\n Fleury (Laurent).- Sociologie de la culture et des pratiques culturelles. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Fleury (Laurent).- Le TNP de Jean Vilar. Une exp\u00e9rience de d\u00e9mocratisation de la culture \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Rauch (Marie-Ange).- \u00ab Les Assises de Villeurbanne en 1968 : agir, r\u00e9fl\u00e9chir, s\u2019organiser\u2026 \u00bb \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n\n\n

<\/a>2011-2019<\/h2>\n\n\n
\"Test\"<\/div>
\n Foulon (Charles-Louis).- \u00ab Mai-68 \u00bb, in : Dictionnaire Andr\u00e9 Malraux. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Hamidi-Kim (B\u00e9r\u00e9nice).- \u00ab Du TNP de Roger Planchon au TNP de Christian Schiaretti. D\u2019une exemplarit\u00e9 du \u2018th\u00e9\u00e2tre public\u2019 \u00e0 l\u2019autre ? \u00bb \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Gu\u00e9noun (Denis).- Mai, juin, juillet. Dans les th\u00e9\u00e2tres de 1968. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n\n\n\n
\"Test\"<\/div>
\n La Naissance des politiques culturelles et les Rencontres d\u2019Avignon sous la pr\u00e9sidence de Jean Vilar (1964-1970). \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Gu\u00e9noun (Denis).- Sur la \u00ab D\u00e9claration de Villeurbanne (mai 1968) \u00bb \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Saez (Guy).- \u00ab Non-public \u00bb \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n\n\n\n
\"Test\"<\/div>
\n \u00ab Non-public \u00bb & droits culturels. \u00c9l\u00e9ments pour une (re)lecture de la D\u00e9claration de Villeurbanne (25 mai 1968). \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Guerrin (Michel).- \u00ab Un grand d\u00e9bat sans culture \u00bb \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Guerrin (Michel).- \u00ab \u00c9chapper \u00e0 l\u2019entre-soi \u00bb \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n\n\n\n
\"Test\"<\/div>
\n Darge (Fabienne).- \u00ab Mai-68 \u00e0 Villeurbanne \u00bb \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Le Dire et l\u2019agir culturels. Politique(s) de la culture. \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>\n\n\n

<\/a>Date inconnue<\/h2>\n\n\n
\"Test\"<\/div>
\n Jeanson Francis, Philippe Forest, Patrick Champagne, La culture, pratique du monde \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
\"Test\"<\/div>
\n Jeanson Francis, Culture\u2026 et non-public \n <\/h5>

\n \n <\/p>

En savoir plus<\/span><\/a><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Introduction\u00a0 Lorem Ipsum\u00a0is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry’s standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into…<\/p>\n","protected":false},"author":48,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-1033","page","type-page","status-publish","hentry"],"acf":[],"featured_image_urls_v2":{"full":"","thumbnail":"","medium":"","medium_large":"","large":"","1536x1536":"","2048x2048":""},"post_excerpt_stackable_v2":"

Introduction\u00a0 Lorem Ipsum\u00a0is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry’s standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum. 1968-1970 \u00ab Le Comit\u00e9 permanent des directeurs des th\u00e9\u00e2tres\u2026<\/p>\n","category_list_v2":"","author_info_v2":{"name":"maximeantremont","url":"https:\/\/web.msh-lse.fr\/declart\/author\/maximeantremont\/"},"comments_num_v2":"0 commentaire","_links":{"self":[{"href":"https:\/\/web.msh-lse.fr\/declart\/wp-json\/wp\/v2\/pages\/1033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/web.msh-lse.fr\/declart\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/web.msh-lse.fr\/declart\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/web.msh-lse.fr\/declart\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/web.msh-lse.fr\/declart\/wp-json\/wp\/v2\/comments?post=1033"}],"version-history":[{"count":48,"href":"https:\/\/web.msh-lse.fr\/declart\/wp-json\/wp\/v2\/pages\/1033\/revisions"}],"predecessor-version":[{"id":2401,"href":"https:\/\/web.msh-lse.fr\/declart\/wp-json\/wp\/v2\/pages\/1033\/revisions\/2401"}],"wp:attachment":[{"href":"https:\/\/web.msh-lse.fr\/declart\/wp-json\/wp\/v2\/media?parent=1033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}